No artwork? We will draw it. Rough sketch, an old logo, or nothing at all — you see the price before anything starts.
Pink Elephant Print & Co. is where Acquired Taste Studios does its printing. If printing is what you came for, start right here — nothing else is needed first. Everything else is one click away and still open.
Printing › Apparel › Color tees×Close
Colors
Back’s bare.
Most places put the name and logo back there — it’s the side people actually see across a room. Ten dollars a shirt, any quantity.
Your artwork gets filed under this name so it never goes missing — and so a reorder is one phone call.
A Gildan Heavy Cotton — 5.3 ounces per square yard of 100% US cotton, spun at 20 singles. That is a thick shirt, and thick is the point. Heavy cotton takes ink deep and holds the color through a commercial wash, which is what a shirt needs when it lives in a kitchen, behind a bar, or on a food truck line in July.
Rib collar with the neck and shoulders taped, so it keeps its shape instead of going wavy after a month of shifts. S through 5XL, and it is the same shirt all the way up — nobody on your crew ends up in a different garment because of their size.
Eleven colors. The solids are all cotton. Sport Grey and the heathers carry a little polyester, which is what gives them the flecked look up close.
Ink is not paint — it sits into the fabric rather than on top of it, so the shirt underneath changes what you see. A light design reads loudest on the dark colors: black, navy, forest, maroon. A design with fine detail or thin lines holds together better on the lighter grounds, where there is less contrast fighting the linework.
The heathers are the one to think about twice. That flecked surface is two fiber types taking ink at different rates, which softens a print slightly — lovely on a worn-in looking logo, less ideal for a hard-edged wordmark. If you are unsure, tell us what the art is for and we will say which of the eleven we would put it on.
Your artwork gets set on the shirt straight — squared up, level, and sized to that garment rather than stretched to fill a box. If something in the file will not hold at print size, we say so before it runs instead of after.
On a batch, we print one and look at it first. If the color sits differently on that fabric than it did on screen, or the art is off by a hair, it gets fixed and then the rest of the run goes. You are getting a person checking the first shirt, which is the whole reason to have it made here.